“The Arrival”

Fish and BreadGliding over a canyon drawn by eerie lights penetrating the darkness. The spirit world beckons the arrival of the new light. It brings new meaning, new thoughts of well being, prosperity and peace. The hope that Light illuminates the hope in our lives. 

  “The most precious light is the one that visits you in your darkest hour!” Mehmet Murat Ildan

The arrival of this Light emboldens us to search and find new strength from a revived faith.  The Light allows us to experience a renewing of mind and spirit, bringing new ideas into unfinished parts in our lives.

koi in a circleI continue the theme of Light penetrating the darkness. My pieces act as ” lenses” diffusing LED light through the translucent layers of cast resin. Hidden layers of light come alive in dark settings, creating and emitting their own light illuminating our world.

Mixed media. $350 to $500 .

11″ to 15″ in height- 4″ to ” wide. Cast resins-wood-LED light and steel mounting hardware. The art of Larry Ortega

 

Exodus

Exodus A Collection WEB

Seeing the final phase of these pieces: final resin casts, the LED lighting location, additional airbrush detail, sanding, engineering hardware to attach the steel rod to a base.

Flying and hovering and strange night lights all part of the story of Exodus. Freedom is the theme of the Exodus and wings provide a unique freedom. I often have dreams of flying or hovering outside my body. Freedom is a spiritual feeling and is associated with light. SuperPhoto_Creation_2017-10-06 WEB AAAA Wonderful

The cast resin pieces become a lens diffusing LED light through the wing and surrounding area. It’s a soothing light, a light you might see in the distance of the desert wilderness. Exodus is a story of a flight to freedom through a desert wilderness. The journey is illuminated at times with a column of fire or clouds for the masses to follow during the day and during the night. A journey in the desert at night avoids the heat of the desert day and the stars of the night illuminate the desert floor.

New pieces-Cast Resin Wings: 34″-38″ wingspans. LED light-wood and resin bases. Series of 12 available this fall. More at: Online Gallery Website Exodus

Seeking the Sacred

Our personal journeys take us to many places. At times we find ourselves along paths that are unmarked and without light to guide us. We are forced to confront fears that only darkness can produce. But we are driven to explore, it is part of our DNA as humans whether it is reaching to the stars or the depths of the ocean or… the boundaries of our imagination. We begin the journey as children: bringing natural curiosity as artists, scientist, and philosophers.
.superphoto_creation_2017-02-24_061959-cool-banner

A new series of work titled “Beneath the Darkness” reveals imaginary desert and ocean realms. Places and moments of time where light penetrates the darkness providing hope, security, and inspiration. A concealed LED light illuminates the cast resin layers in the cross-like shape and radiates a light within the steel and plexiglass base.

superphoto_creation_2017-02-23_042311-nice
“Seeking the Sacred”

I had a sense of creating something sacred, perhaps a holy vessel, something that can produce a sense of peace and maybe miraculous healing. My own faith says that is possible. Some say that prayer is talking to God and meditation is listening to God. I hope the piece becomes that beacon providing the light into a voyage to a sacred harbor.
Two in a series: Resin-Steel & Light       19″x 11″x4″ See at the Ice House
First Friday April 7th 2017.

www.stor-ybox.com
cross-closeup-resin-layers

“Desert Passage”

My latest pieces explore the contrast of elements; where sky and earth meet
and where light penetrates the darkness. Translucence layers accentuate the
glimmering hues of color that shift in the light. Layers of translucent resins
create dream like landscapes and mirages. Mirages are deceptive and the small
nature of these pieces can deceive the viewer looking at the objects. I like to
imagine vast vistas of the sky and layers of clouds captured in a moment of time.
cropped-we-are-already-one-thomas-merton.jpg
“Desert Passages”
Inspiration for this new work comes from the desert and the
sea and where the sky meets earth and where light is
captured in a space of “luminous colored layers”. It
also comes from deeper inside-from the DNA of the
desert and sea and from the inner being of who I am.
“Am I a mirage”…Is a question that comes to mind.
4 Seasons Nice
“Desert Seasons”
Summer is passing in the desert and the light is shifting
higher in the sky…we transition to fall-then to winter-back to spring and then to summer. The seasons of the desert have one thing in common…Light.
DSC_9277
“Mirage”

Holy & Healing

 

A lost memory recaptured on recent trips to Taos, NM and Barcelona, Spain. A spiritual journey began with visits to churches and basilicas in Barcelona, Spain. Sagrada Famila is famous worldwide a church that has been under construction for over a 100 years and complete by 2025…they hope.Monstrance New WEB

Mission church Chimayo, outside of Taos is one of the best examples of an early Spanish Colonial mission. In this case, it is a “healing” place, like Sedona, AZ and other healing places in the southwest.  Chimayo mission is the site of physical and mental healings, some say miracles. We often mistake problems that require a spiritual solution-not a financial one.

Inside mission Chimayo are 2 separate rooms-in one, crutches hang on every wall, a testament of physical healing. From this room, you enter another room-low slung and no bigger than 10’x10′-central to this room is the small well in the middle of the floor of this room filled with the “healing” dirt from the land. Visitors are encouraged to take some of the dirt…Sandra did.Monstrance Fence-Night

My traditional view is that church buildings were built to inspire us to focus on God. Spires, stained glass windows, and items on the altar were created to depict religious themes and to point our lives away from the earthly realm and focus on a heavenly realm.

A limited series of work, I created with my favorite mixed media-Wood-Resin-Steel & Light and bringing into existence my own version of a “monstrance”.My vessels display something holy-fragments and I choose the land, sky, water and an unseen world.   There is a place where beings in the Rio Grande gorge ascend seeking a light from a wooden shard hovering above them and containing the healing power of the land. Light emitted from the piece breaks the darkness surrounding it. I think of the opportunity to spend moments of meditation during this period of light… a time of prayer and being thankful for all that God has created. Monstrance New WEB

 

 

 

 

 

 

Myopia…a focused look

A “show” was just a  passing thought one late winter night among unfinished pieces in my new studio space. My new work needed to be shown; Obliq Art had not put on a show in 16 months. …

Source: Myopia…a focused look

“Myopia”…Art Detour

A “show” was just a  passing thought one late winter night among unfinished pieces in my new studio space. My new work needed to be shown; Obliq Art had not put on a show in 16 months. I thought of all the good times we had and miss so many of the artists and collectors and just friends who made Obliq Art a regular stop on First Friday…and that thought was sown into the universe that night. “The right people will show up”. “The right space will show up”. Sometimes you have to walk in faith. "Healing is...in the Cloud"

 

 

 

 

 

 

 

 

My work was about restoration of wood and about adding  a different dimension to wood. Clear and colorized resins were pour into termite caused borings. Phosphorescent resins casts were added as well as casts with pearlescent powders. Lost Memories was created this past winter. A  termite infested, crooked, twisted and weathered Sycamore slab that spent much time in the Arizona desert sun. A perfect piece to restore and reclaim. Another thought…Lives are like that.

 

LostMemoriesAgainst Gate Sepie WEB

Pete Deise and I have become friends over the last year. He reminds me of the surfer who first surfed Mavericks alone for years-a lonely pioneer living a pioneers life. I’m infatuated with his new work and personally I want to see his work integrated in some of the downtown buildings and projects I am involved with, like the Jackson Street Properties I selling. And I love helping him show his pieces. Its a little different installing and showing his pieces.

Pete Deis
Lunar

Justin Queal and I have been hanging about a couple of  years. Our first time showing together. We have had some lunches and times together talking about art.  Again another artist that I admire and getting to know him and his lovely artist wife, Abbey. Its a rich life when you have relationships like this. Flourish comes to mind when I think of Justin’s future.

Myopia Justin FB
Radiant Energy

 

 

 

 

 

Cheryl's totems Facebook
Cheryl Brandon

 

 

 

 

Constance McBride and Cheryl Brandon have been in my consciousness for a while, especially Constance whom I first met at Obliq Art at the Arizona Center. Met Cheryl at the Fred Tieken’s Az 45 show in his gallery in Paradise Valley. Two very distinct ceramic artists with a wonderful following. Great contrast to the large pieces.

389A0034
Constance McBride

Someone asked me, “When are your shows”? I guess the short answer is “When I want”.  Look forward to seeing how Obliq Art evolves. The Myopia show has allowed me and the other artist to experiment in the space.

The show opens again on Third Friday, March 18 at 7 pm and from noon to 5 PM on Saturday. Lots of parking behind the space as well as street and park parking.

New City Studio- 1300 N. Central Ave-across the street from the main Library and adjacent to Margaret Hance Park. Google Aerial.JPG

 

 

“Ancient Memories…Refuge”

I saw the deep borings in the wooden slab of White Oak and began exploring the notion of “refuge”.  Something was attracted to live within this part of the tree, something sought refuge and existence in this fortress, I could see the microcosm when looking closely. At the same time, the pattern in the wood and its DNA reminded me of desert landscapes from the southwest; the vast areas of wilderness.

Refuge 10-3

I began to create layers of air and sky by casting resin layers, relying on lost memories of desert sunsets above a remote beach. There were memories of clouds in the early morning and light at the golden evening hour. The various translucent layers, some with pearlecent and phosphorescent powders mixed with resin, emit an “other world” atmosphere. Immersed within the sky are spherical planets  that, provide an “other” world dreamlike hallucination .TAbleRefugeon Path FBMedium Web view

“Every moment of light and dark is a miracle” says Walt Whitman and I wanted to create and capture  these moments.

The work “Refuge” is cocooned in light; a light created with LED lighting that I call the great light and phosphorescent  light, the lesser light. The lesser light is “charged” by the LED light and continues to radiate “stored” energy as “light” long into the darkness.

Light provides healing according to popular studies. Light is an element and theme in my work while I explore the idea of the spiritual powers of healing and light. Healing became an influence in my work while researching and understanding healing. Embedded in all my recent work is earth from mission Chimayo outside Taos, New Mexico. Chimayo has been called “a place of healing”, http://taospueblo.com/ . I saw thousands of prayers posted as photos, hundreds of crutches hung on a wall and realized this too was a place of refuge. Many prayers are answered but many times it is not “God get me out of this” rather God get me through this. The more I meditate in prayer, the more I know that healing is much about surrendering.

There is something special about the wilderness-the quiet and solitude, marveling at the beauty created by God. It is a spiritual experience for me. The same with creating art, a spiritual discipline for me, much like  prayer.

I often think of the quote;

“We are not human beings having a spiritual experience. We are spiritual beings having a human experience.”― Pierre Teilhard de Chardin

The process of creating this piece allowed me to reveal the mysterious realms of native folklore and culture.  In this piece, the elements of sky, fire, earth and air are my way of capturing the essence of God. God is in the very nature of each element.Refuge Close Up

“Ancient Memories”…Refuge” 65″ x 20″ x 2″ White Oak, cast resin layers, LED lighting. I had many ideas, wishes and fantasies creating this piece of refuge and prayer.

www.stor-ybox.com  AnObliqArtist

“Transparent Memories”

The “act” of layering, weaving and assembling is a new process in my latest work. Working on new pieces that have a theme of “healing”, where I encounter memories of drowning in my life. At the same time, wondering about the roots of the sea in my life far from an ocean in the desert. This piece seems to make connections and connect dots of memory. There is a sense and emotion of surrender. Healing takes place in the act of surrender…surrendering to healing. “Ancient Memories are…in the Cloud” outlines two whales who once lived in the shallow seas of Arizona during the Triassic period. The outline of a Sperm whale encases the entire piece while the ghost like image of a Humpback whale emerges from what at first looks like a mountain range. The whale’s dorsal fin provides a sense of movement flowing through that primitive sea.

“You are not a drop in the ocean. You are the entire ocean in a drop”. Rumi

I sense the DNA of trees, rocks and eons of time and the drop from the ocean contains the entire memory of a distant and primitive time.

Ancient Memories Like the rings of a tree, the translucent layers relate to time, and a distant space of land, sky and sea the one that has been  evolving over millions of years. Ancient translucent seas with turquoise seas, and cloudy summer vistas hover over a desert wilderness.

I know I have been here before…but its only an ancient memory now.

http://www.stor-ybox.com